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The
Identity Out Of All Fantasies
An Analytic Discussion on
“Ketabe-E-Meher” by
:Kamran Mir Hazar
Written by: Mozhgan Amiri
Translated from Persian to English: Soroush Gholami
RAHA/23/Septamber/2003
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It is sufficient for Kamran Mir Hazar –a poet who speaks in Persian and has the
afghan identification -To utilize Farsi so that a Persian reader reads
or listens to a work and get connected to it, and a stable work is a
work which announces its presence without considering nationality. The
world modern poem takes a look at a horizon even more extended than the
outer world and clings to the narrow territory of geography for its
territory of existence.
A good work sets its pulsation with the cosmos’s pulse, not with
geographic rules, although the first bed that it originates from is
effective in a special way. If I pointed the poet’s nationality , it was
just because
Afghanistan contemporary literature (and it also includes Iran’s
literature) needs to metamorphose and I consider the book “Mehr”
completely separated, independent ,special and with a method absolutely
professional among the well-know people of Afghanistan literature, that
it’s rarely seen in other afghani poems and sometimes it can’t be seen
.a contemporary afghani poet (and most of Iranian poets)still hangs
himself to the domain of classic poems or continues the several
time-handed style of the poets of the last decade of Iran in the
territory of the contemporary poem that if it turns out to be a
fantastic poem ,it is not a new or special job.
The work of the contemporary literature
is not repeating, but is creating inside the world of words.
Lets follow the book”Mehr” and enter the
discussion with constructing words and sentences.
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