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Literary Criticism/ The Identity Out Of All Fantasies /Page1

   

 

 Kabul Press, World Media Home

 

The Identity Out Of All Fantasies

An Analytic Discussion on

 “Ketabe-E-Meher” by :Kamran Mir Hazar

Written by: Mozhgan Amiri

                                         Translated from Persian to English: Soroush Gholami

                                  RAHA/23/Septamber/2003

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It is sufficient for Kamran Mir Hazar –a poet who speaks in Persian and has the afghan identification -To utilize Farsi so that a Persian reader reads or listens to a work and get connected to it, and a stable work is a work which announces its presence without considering nationality. The world modern poem takes a look at a horizon even more extended than the outer world and clings to the narrow territory of geography for its territory of existence.

A good work sets its pulsation with the cosmos’s pulse, not with geographic rules, although the first bed that it originates from is effective in a special way. If I pointed the poet’s nationality , it was just because Afghanistan contemporary literature (and it also includes Iran’s literature) needs to metamorphose and I consider the book “Mehr” completely separated, independent ,special and with a method absolutely professional among the well-know people  of Afghanistan literature, that it’s rarely seen in other afghani poems and sometimes it can’t be seen .a contemporary afghani poet (and most of Iranian poets)still hangs himself to the domain of classic poems or continues the several time-handed style of the poets of the last decade of Iran in the territory of the contemporary poem that if it turns out to be  a fantastic poem ,it is not a new or special job.

The work of the contemporary literature is not repeating, but   is creating inside the world of words.

Lets follow the book”Mehr” and enter the discussion with constructing words and sentences.

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